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¿Zombies en Miami?

De una nota en el Miami Herald:

According to police sources, a road ranger saw a naked man chewing on another man’s face and shouted on his loud speaker for him to back away. Meanwhile, a woman also saw the incident and flagged down a police officer who was in the area.

The officer, who has not been identified, approached and, seeing what was happening, also ordered the naked man to back away. When he continued the assault, the officer shot him, police sources said. The attacker failed to stop after being shot, forcing the officer to continue firing. Witnesses said they heard at least a half dozen shots.

The other man was transported to the hospital with critical injuries, according to police. Their identities were not released.

La nota completa aquí.

2 Notas

Dreams by Susannah Breslin on Flickr.

Dreams by Susannah Breslin on Flickr.

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I don’t structure in the get go. I structure later. All this manual approach of how to write a screenplay in 20 days (…) is all bullshit to me. It’s all bullshit for one reason, because they are telling you your shoe size and your shoe model and they don’t fucking know what foot you have. They really don’t. It’s trying to cram what is instict into method, and they are not compatible. Because the desire to tell a story is an instict.
Guillermo del Toro

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The real challenge is maintaining spontaneity, retaining the energy and excitement of what you did when you were young and had nothing to lose.
Christopher Nolan

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Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write War and Peace in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling.
Stanley Kubrick

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Dicen que existen dos insomnios como dos hermanas. El de antes de dormirse, y el otro, después de despertar en plena noche. El primero es madre de la mentira, el otro es madre de la verdad.
 Milorad Pavić

1090 Notas

joekeatinge:

Jack Kirby’s work space.
Absolutely my favorite and most inspiring image I’ve seen in a while.
I love how unpretentious and no-bullshit it is. It’s a plain desk, with a plain chair and a plain side chair, all of which are beat up from use and covered in ink. It faces a corner, one that’s covered in unorganized comics. It’s inspiring to see the desk that held the home of creation for countless characters was so practical. Nothing fancy about it. Just a place to sit down, shut up and do the work.

joekeatinge:

Jack Kirby’s work space.

Absolutely my favorite and most inspiring image I’ve seen in a while.

I love how unpretentious and no-bullshit it is. It’s a plain desk, with a plain chair and a plain side chair, all of which are beat up from use and covered in ink. It faces a corner, one that’s covered in unorganized comics. It’s inspiring to see the desk that held the home of creation for countless characters was so practical. Nothing fancy about it. Just a place to sit down, shut up and do the work.

1 Notas

Dibujando Cómics al estilo Marvel - Dibujo profesional de cómic: aprende las bases de anatomia perspectivas e interpretación de personajes.- Técnicas y procesos al trazar tu página, desde el boceto al dibujo final en un formato profesional.- La importancia de la narrativa gráfica alcontar una historia.- Cómo interpretar un guión de cómic profesional.- Práctica en clase dibujando páginas de cómic y critica profesional.Por Carlo Barberihttp://carlobarberi.deviantart.com/Carlo es artista con contrato exclusivo en Marvel Comics. Dibuja actualmente títulos como Deadpool y Ultimate Xmen. Cuenta con una carrera como dibujante de cómics a nivel profesional en Estados Unidos con 10 años de experiencia.Requisitos: Nivel medio de dibujo y enviar portafolio de material reciente.
COSTO: $1,200.Separa tu lugar con $500. Más informes: creatomotor@gmail.com

Dibujando Cómics al estilo Marvel 

- Dibujo profesional de cómic: aprende las bases de anatomia perspectivas e interpretación de personajes.

- Técnicas y procesos al trazar tu página, desde el boceto al dibujo final en un formato profesional.

- La importancia de la narrativa gráfica alcontar una historia.

- Cómo interpretar un guión de cómic profesional.

- Práctica en clase dibujando páginas de cómic y critica profesional.

Por Carlo Barberi
http://carlobarberi.deviantart.com/

Carlo es artista con contrato exclusivo en Marvel Comics. Dibuja actualmente títulos como Deadpool y Ultimate Xmen. Cuenta con una carrera como dibujante de cómics a nivel profesional en Estados Unidos con 10 años de experiencia.

Requisitos: Nivel medio de dibujo y enviar portafolio de material reciente.

COSTO: $1,200.
Separa tu lugar con $500. 

Más informes: creatomotor@gmail.com

19 Notas

As you know, the question we writers are asked most often, the favourite question, is; why do you write? I write because I have an innate need to write! I write because I can’t do normal work like other people. I write because I want to read books like the ones I write. I write because I am angry at all of you, angry at everyone. I write because I love sitting in a room all day writing. (…) I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at all of you, so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page, I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all of life’s beauties and riches into words. I write not to tell a story, but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but – just as in a dream – I can’t quite get there. I write because I have never managed to be happy. I write to be happy.
Orhan Pamuk, “My Father’s Suitcase” (via ruys)

118 Notas

[Science and art] ask the same questions. Science addresses - really what it does at its best is force us to reassess our place in the cosmos. Where do we come from? Who are we? Where are we going? And those are the very same questions that you get in art, literature, music. Every time you read a wonderful book or see a wonderful film, you come out of it with a different perspective of yourself, and too often, it seems to me, we forget that cultural aspect of science.

Physicist Laurence Krauss discusses the connection of science and art – a connection we’ve previously explored – with novelist Cormac McCarthy, filmmaker Werner Herzog, and NPR’s Ira Flatow.

Jonah Lehrer calls this convergence of art and science “a fourth culture of knowledge” and argues it’s essential for a thriving society.

(via explore-blog)